Muslim youth attacked Hindu symbols in Leicester including homes, cars and the local temple

OTT has become a bone of contention in Bharat. The Bharatiya movie industry has a censor board that oversees the kind of content that gets on the cinema screen. No matter how flawed the censoring procedure might be, it still exists. But no such mechanism currently exists for regulating OTT content. This has led to an alarming rise in content depicting nudity, violence, sex, and perversion. We have discussed in detail in previous articles how the OTT web series are increasingly not just becoming anti-Hindu but also distorting the Bharatiya middle-class family structure and its values.

In a shocking turn of events, India was recently rocked by a series of explosions at a Jehovah’s Witnesses prayer meeting that claimed three lives and left at least 50 individuals injured. The incident took an even more unexpected twist when a Facebook video surfaced, showing a man named Dominic Martin claiming full responsibility for the attacks. However, as the authorities continue their investigation, questions arise about what would have happened if Dominic Martin had never come forward.

So how did the Western media get it so wrong about The Kerala Story? There are two reasons. First, the so-called liberal media in the West has a deep-rooted bias against Hindus. From the colonial era onwards, the country has been a metaphor for poverty, slums, violence, and chaos. Also, blaming Hindus while ignoring the crimes of other groups is the Western media’s default position. In January 1948, when Mohandas Gandhi was assassinated, the headline in the New York Times was “Gandhi Killed by A Hindu.”[11] Even when Indians achieve something spectacularly successful, the reaction in the West has been of snide condescension. For instance, in 2014, when India became the first nation to reach Mars in the first attempt, the New York Times published a cartoon showing an Indian farmer with a cow knocking on the door of the elite space club.[12]

The Metropolitan Museum of Art (Met) in New York, which has faced intense criticism and legal scrutiny over some of its listed treasures, including at least 77 Indian artworks connected to imprisoned smuggler Subhash Kapoor, has announced that 16 of those items have been repatriated to India. These 16 antiquities were “illegally removed” which made their way to the New York Museum.